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I write every day about living with bipolar disorder, also known as manic depression. I've written and published more than 1.3 million words

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The Boy Done Good

6 min read

This is a story about achievement...

Room

If I manage to slip the bonds of the United Kingdom tomorrow, I will have done extremely well. I know for certain that I do not have COVID-19, of any variety, because I am tested every week by the University of Oxford/ONS study, and I never leave the house except to go mountain biking on my own. Additionally, I literally just received the results of a very rapid but very accurate new test, which is about as good as anybody can ever get at saying "I haven't got COVID".

I mean, it's very simple: I just don't have it.

I don't socialise. I don't leave the house. My cat doesn't leave the house. I don't have children (which is the main thing) and I haven't travelled for 16 consecutive months, so it is impossible for me to have caught it.

The people who have caught it and who have been spreading it, are the people with children; the people who've been going to pubs and other social gatherings, the people who've been circulating amongst their friends and family... basically, carrying on like normal. Of course, then there are the people, for whom direct social contact is unavoidable. There are so many jobs which can't be done from the safe comfy confines of a home office, and those jobs are essential to almost all our lives.

However, in most cases the virus is being transmitted entirely unnecessarily: just close the schools; close the non-essential businesses... and by non-essential, I mean NOBODY'S GOING TO FUCKING STARVE IF YOUR GYM HAS TO CLOSE.

I am, however, a hypocrite. Although I have spent all year as a recluse - a hermit - and I wasn't one of the heaving masses who flocked to the shops when they re-opened, or rushed to the beach, or threw house parties. I wasn't one of the crowd. I wasn't one of the herd. Despite my laudable behaviour, regarding lockdowns and suchlike, I eventually needed a holiday. I am attempting to have a holiday.

I must admit that I was very sneaky. As soon as populist governments started talking about giving people a "normal" Christmas I knew that expectations would be set unrealistically, and it would be politically impossible to do a U-turn, having built up the nation's hopes of enjoying a very brief period of yuletide festivities: basically, to snatch away the nation's excuse to get drunk, spend loads of money, and eat loads of festive food, seemed unconscionable, once the expectation had been set.

It's a logical impossibility to say "we're following the science" and also talk about a "Christmas ceasefire"... let alone make a series of moronic date-based predictions, which were ostensibly not based on any science: nobody possesses a crystal ball. When politicians spoke of beating the virus by Easter, July 4th, the start of the new academic year... are they really so stupid? No. This is modern populist politics, where ideas are tested on focus groups and policies are driven by vote-winning data. Yes, politicians are following the science: the data science of how to push people's buttons, which is usually the preserve of the advertising industry.

So, I booked a holiday, with the dates intentionally matching the "Christmas ceasefire" with the virus, as promised by our Prime Minister. I thought, foolishly, that any U-turn would be such a huge disappointment, and spread such anger with the government's bungling of the pandemic, that they wouldn't dare to break their promises.

Instead, what we have ended up with, is a system so bureaucratically complex as to be unenforceable, and indeed a momentum in the country, which inevitably builds in the lead-up to Christmas, that martial law, curfews, road blockades, sabotaged bridges and other such activity, would not stop the average British family from proceeding with their Christmas plans, which were so meticulously made.

If German and English soldiers weren't prepared to kill each other, during the famous WWII ceasefire, and even played a game of football in no-man's-land, what policeman or solider is going to break up a typical family of otherwise-law-abiding and obedient servants of the crown, for the crime of getting their family together for an event so deeply enshrined in our culture? Even the most officious of policeman and soldier, is also indoctrinated by their cultural upbringing, and so they empathise and sympathise with the plight of those who have been asked to follow insanely complicated rules, at the last minute... so much so that the politicians and their 'power' are shown to be utterly worthless, in the face of two things: 1) a virus, which does not know about any culturally significant events in the calendar of particular civilisations; and 2) a population, which already knows and accepts that many of its elderly will not survive the winter; death is inevitable.

I'm the worst kind of hypocrite, because I know that I am prone to thinking that there's "one rule for me, and one for everyone else". Like the very most despicable people on earth, I know what's good for you. I do not, of course, practice what I preach. Perhaps, for example, I will be the individual who is unknowingly carrying a mutant variant of COVID-19, which will ultimately return humanity to the stone age. Because of my selfish individualism, all the "end of lockdown" partying and other acts of myopic idiocy will pale into insignificance.

The next time I write to you, I will have either successfully pulled off an egregiously antisocial act, which might seem small and inconsequential if considered in isolation, but, we must look at the bigger picture: perhaps I am the patient zero, and the ultimate hypocrite.

In fact, I cannot be the ultimate hypocrite, because I have always recognised the importance of certain festivals and other events in the calendar of different cultures, and I actually agreed that attempting to have a somewhat normal Christmas was the right thing to do. The unforgivable error, in my opinion, was the cynical attempt to do a U-turn, and hide behind an unfathomable rulebook, in the hope that the blame could be deflected onto the individuals, instead of the politicians who made promises they couldn't keep. I, personally, would have held a press release and just said: "you're going to kill granny and granddad, but you're allowed to make that choice if you want: you're not stupid; you can be led by the science too... it's not that hard".

Anyway, spare a thought for your poor author: laying on a comfortable bed in a 5-star hotel, penning this essay, tragically unable to utilise the swimming pool or eat in the award-winning restaurant. Spare a thought for the stress your author has endured, not knowing with certainty whether or not he will be able to board a flight to paradise tomorrow, or not. Your hand-wringing over a paltry 1.7 million deaths pales into insignificance, when compared with my own very real first-world problems.

 

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I'm Not Sure This is a Good Idea

4 min read

This is a story about hindsight...

Disguise

Imagine this: you've spent your whole life dreaming of becoming a published author, with a fucktonne of readers; perhaps being a bestselling author. Then, one day, you hit the jackpot: your books are flying off the shelves; you have a ton of readers around the world. Thousands of people read your writing every day. Millions read what you wrote every year. Are you happy? Are you content?

What was your objective?

Did you want to get paid for doing something you love? Did you want to convert your love of writing into a profession? Did you want approval; did you need for a publisher to tell you that what you wrote was good, before you'd believe it for yourself? Did you want fame and adulation? Did you need for the general public - en masse - to recognise your brilliance, by luxuriating in the delicious prose which decorates the pages of your books? You've got it now. Are you happy?

Then.

Suddenly you feel very exposed. Your psyche is exposed for all to see. Was it really worth it? With all the money in the world - the best paid author in the business - was it worth the effort, and the sacrifice? Was it worth it to be out there in the world, for everyone to judge?

Now the academics will pore over your words, gaining so-called "insight" into things which never existed; imagining that there is more deep meaning in your writing than ever existed; creating layer-upon-layer of intellectual mastubatory wankstain bullshit, if you're so lucky as to be considered a literary figure of great importance.

You must remain enigmatic. Never explain yourself. Culture your eccentricities: this is your life now. You are creating a myth; a legend. You have to maintain a certain image, if you want to achieve a cult following, and to be somewhat immortalised, insofar as making your way onto the undergrad reading list of an English degree at a substandard academic institution; well-thumbed copies of your book being kept on the shelves of every pretentious student in the land.

Still, is it worth it? Is this what you wanted?

Still, you have to ask yourself, why did you embark upon this fool's errand? Why did you start writing in the first place? What was the point? When will you be satisfied? When will you say that enough is enough?

Then.

There's a backlash. People hate you now. The mood of the country has turned against you. Your so-called 'overnight' success (which took decades to achieve) which inflated your ego to the point that you thought you would be welcome in the national dialogue - the daily discourse - was grossly miscalculated. People fucking hate you. You're the cunt who wrote those bestselling books, and in the popular imagination you're another elitist wealthy shitbag, disconnected from the plight of ordinary people no matter how humble your origins were.

Why did you do this?

Sure, you're rich now; you're a household name. Your face is recognisable. You can court a little controversy and fill the tabloid headlines, easily. Is that what you wanted? Was that your aim, all along?

Ultimately, aren't you infamous? Aren't you known for all the wrong reasons? If there was ever a smidgin of integrity which lurked at the centre of you, isn't that now long lost? You're just an attention seeking publicity whore. You're just a disgrace. You're not an artist. You're not a creator. You're just part of the newspaper-selling, avertising-sellling, merchandise-selling, capitalist machine. You couldn't be more distant from your original "I like writing" origins, even if you tried your hardest.

How did it end up like this?

 

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Vanity Publishing

5 min read

This is a story about a crowded market...

Art stuff

Remind me again why only certain people are allowed to make music, literature and art. Remind me again why the rest of us are banned from releasing our creative endeavours into the world. Remind me again why the creative arts are the sole preserve of the spoiled brattish kids of rich indulgent parents.

Oh yes. That's right. The internet changed all that.

Sure, the old gatekeepers are still there. Sure, if you want to get signed to a record label, a publishing house, a gallery or some other elitist institution, and publish using their marketing machine, then you'll need to kiss their arses and play by their rules.

Sure, the new gatekeepers are now in place. If you want to have a heap of subscribers on your YouTube channel, listeners on Spotify, or readers on your website, then you'll have to play by the rules of the algorithms; you'll have to comply with the demands of those digital platforms.

But.

Previously, only the likes of a multimillionaire rock star - like Brian Eno - would be able to afford professional-grade music production equipment. Previously, only the likes of a multimillionaire famous author - like Jeffrey Archer - would have been able to self-publish a book. Previously, only a multimillionaire artist - like Damien Hirst - would have been able to get their art seen by vast numbers of people.

Now.

Now is the time of self-publishing.

Sure, it's not great being locked into a platform like Instagram, Facebook, Twitter, YouTube, Amazon, Apple, Spotify or suchlike, in order to get your art out into the world, but it does level the playing field a little. Sure, self-promotion is hard work, and it's still impossible to give up the day job, unless you have a trust fund; the barrier to entry is still extremely high. However, in some ways, the barrier to entry is quite low.

A friend of mine has a YouTube channel, filled with 90+ minute monologues. I sometimes browse the latest videos which my friend has published, and I think "oh god, that's me, isn't it? Pumping out long insane monologues, out into the ether of the internet, where nobody really takes any notice". Not to denigrate my friend's creative output at all, but I am incredibly fearful that I'm adding nothing but noise into the world.

I offer you a quote (as I very rarely do) which I often think about:

"[George] Orwell feared those who would deprive us of information. [Aldous] Huxley feared those who would give us so much [information] that we would be reduced to passivity and egoism" -- Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

I think we are living in Huxley's feared dystopia, in the context of being overwhelmed with information. The 4th industrial revolution - the information revolution - has created the most complicated man-made object: the internet. I often worry that the internet is a curse, not a blessing, given that I end up empathising with the plight of a Fijian villager whose prize pig was stolen, literally on the other side of the world. I rarely leave the house; I rarely talk to my neighbours, but every morning I wake up to an inbox full of people asking me "what's the best way to kill myself?" and "why are you not dead?". The internet is a mixed blessing.

I might look back on this period of creativity with cynicism, bitterness and a jaded outlook, which causes me to think that I was wasting my time. I might - feeling depressed and anxious - reflect that my writing wasn't very good; that I was making a fool of myself in public. The whole endeavour might seem very cringeworthy and embarrassing, with retrospect.

The internet doesn't forget, very easily. I'm somewhat etched into the fabric of the internet now. Stuff I've written is quite literally etched onto metal with lasers, and buried in the Arctic, to preserve it for posterity. Not, I might add, at my own expense. My vanity and ego are gigantic, but not quite big enough -yet- to embark on such a folly as burying some digital keepsakes beneath the frozen tundra; a monument to my own stupidity.

Of course, nobody in their right mind spends 5+ years of their life, writing and publishing 1.3 million words, which remained for the vast majority of that time, largely unread; unnoticed. I am, obviously, more unhinged than my friend with a YouTube channel: at least they didn't have to go to the effort of painstakingly constructing pleasing prose, checked for spelling and grammar, and accompanied by a hand-chosen photo which was Photoshopped to improve it, before publishing. Only a madman would go to all that effort, unpaid; unrewarded.

 

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Blogger's Digest - Day One of #NaNoWriMo2019

11 min read

This is a story about a novel...

Hospital bed

It would be far too 'meta' to write a novel about writing a novel, but I have written a 'story' almost every day, for well over 4 years, publishing the equivalent of 26 novels in that time period. In 2016 I completed the first draft of my debut novel. In 2017 I almost completed my second novel - it's 85% complete. In 2018 I didn't have such a good year for fiction writing, but I was writing my blog at the same time as trying to write my novel, and I was generally unprepared and rather over-worked with other commitments.

This year, I'm going to combine what I'm good at - blogging, telling short stories and being consistent and committed - in order to produce a novel which [hopefully] will weave together some interconnected stories and result in an interesting and worthwhile work of fiction, which succeeds as a piece of art, roughly as the author intended.

I offer the reader a picture of me in hospital suffering from multiple organ failure, which was unable to divert me from my mission to write [almost] every day. My present situation is not quite as drastic as that one, but there is still a substantial amount of effort and energy involved in motivating yourself to write at least 1,667 words per day, for 30 consecutve days, when you have a full-time job and other commitments.

Wish me luck!

* * *

Blogger's Digest: a Novel

Contents

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter One

I was woken up by the sound of a pneumatic tool being operated at the front of my house. A low-frequency rhythmic thumping and high-pitched metallic rattle, were emitted at a volume not normally heard on the quiet suburban roads where I lived, and so my slumbers were abruptly interrupted with a heart-stopping shock. My head swam with confusion in my semi-comatose state, and I was momentarily alarmed: had World War III started suddenly, overnight?

Foolishly, I had forgotten that I was having my gravel driveway replaced with herringbone-pattern bricks, and the noise must be from the builders I had hired.

I was suddenly faced with several competing unpleasant thoughts. It was somewhat embarassing that the builders had started work at a socially acceptable time - 8:30am - while I was still fast asleep on a weekday, and had no intention of reaching the office before 10am, which made me feel quite lazy. It also occurred to me that I would have to walk past the builders at some point, in my office attire, and there would be no disguising the fact I had been at home and not at work, while my builders had been working hard. I wondered whether I was obliged to offer my builders a mug of tea or coffee, and perhaps even bacon sandwiches, or at least biscuits, but it felt a rather onerous task which I would very much prefer to avoid.

I tried to relax back into bed, given that I had been planning on having at least another 30 minutes of sleep, but the noise was persistent. I possessed a powerful determination to sleep as much as possible, and it was not clear whether this outweighed the extremely loud noise and rendered any attempts to stay in bed, utterly futile. I persisted for some minutes while I decided whether I could tolerate the noise, or whether to admit defeat and start getting ready to go to work.

With bitter disappointment, I decided that there was no way I could relax with the ongoing loud din, so I dashed into the shower, dressed quickly and left the house without having any breakfast. This was my usual morning routine: maximum sleep and minimum time wasted faffing around doing things that "morning people" seemed to enjoy doing. I couldn't imagine being the kind of person who reads the newspaper at the dining table, while dipping a piece of toast into a lovingly-prepared soft-boiled egg, before slowly sauntering out of the house, leaving plenty of time to beat the morning rush-hour traffic. My own routine consisted of a highly optimised dash to the office after the rush hour, meaning that I arrived at work late every single day.

"Morning! Alright, shan't detain you, I can see you're busy" I said to the builder who'd given me the original quotation, who I assumed was the boss. I dashed past him and his workmate, who had been operating some kind of pneumatic device for flattening surfaces, and jumped into my car.

My journey to work was another example of my idleness, which I felt some guilt about, but was a system which worked very well for me. My car was an expensive high-specification model from a prestigious German brand, and I enjoyed driving it, even though the walk to work would take me little more than 20 minutes and to cycle it would be as fast as my journey by car.

There were a limited number of car-parking spaces at the office, which were allocated using a combination of seniority and years of service. By virtue of rapid promotion I had found myself the proud owner of a coveted parking space much earlier than any of my longer-serving peers, which served to underline the sense of self-importance which I felt: I was ambitious, young, and talented, so it had irritated and upset me in previous jobs, when I had seen far less competent and capable individuals progressing up the career ladder, simply because they were older. Promotions seemed to be automatic, based upon the number of years spent at a certain rank or grade, which conflicted with my desire for the workplace to be a more meritocratic place, so long as it favoured me, of course.

Arriving late - as usual - my space was one of only two which were free in the car park. My colleagues had become so used to the hours I kept that the concept of 'late' did not particularly apply to me. Perhaps if I wasn't at my desk by 10am, my colleagues would begin to wonder where I was, but I was quite punctual - albeit keeping to a timetable of my own invention, and selfishly suited to my own 'night owl' personality. Obligingly, my colleagues would not book early morning meetings with me, although perhaps they had learned not to try anymore, since clashing appointments would regularly appear or I would decline invitations which would have obliged me to arrive at the office earlier than I wanted to. So, my working day began like most working days: with queue of people wanting to speak to me.

* * *

"Yep so that's 7 pizza & chips and 7 beers, please" said Ian, one of my work colleagues.

A very traditional Italian restaurant - The Taste of Venice - was sandwiched in-between a bingo hall and a furniture auctioneer, and this was the closest restaurant to our office, where a group of us would dine at lunchtime, from Monday to Thursday. The restaurant's decor was tired, worn and dated, having not been refurbished since its opening in the 1980s. Ghastly paintings of cliched Italian tourist attractions and faded fake flowers, accompanied poor-quality attempts at Roman pillars and archways, giving the restaurant the impression of an eating establishment which was cheap and tacky. Most of the tables were empty, except for two 4-person tables which had been pushed together to make an 8-seater table, where my colleagues and I were sat.

Every lunchtime, we all ate exactly the same thing: half a Margherita pizza, chips and a bottle of 'Italian' lager, brewed under license in the UK. Chilli oil was doused liberally on the pizza by those with less sensitive tastebuds than myself, but otherwise, this was a routine gathering for a group of between five and ten of us, who all worked together.

"When do you set sail, Ian?" asked Ollie, a tall and broad-shouldered man with sun-bleached blonde hair and tanned skin. I liked Ollie. He was one of the smartest people I knew and he'd led an interesting life. I was somewhat jealous of how effortlessly he'd seemed to attain his successes: a degree from Cambridge, a career which had taken him around the world, from New York to Japan, and an incredibly attractive wife.

"We're picking her up from Ellös in three weeks. We're going to hang out in Oslo for a few days, do a bit of sightseeing, before we drive down" replied Ian.

"Isn't Oslo in Norway?" I asked, trying to sound intelligent and attempting to impress my colleagues.

"Yes, but it takes half the time to drive from Oslo to Ellös than from Stockholm."

"But isn't Gothenburg the closest airport?" I said, pretending to ask a question when I already knew the answer, because I had checked on a map before we left the office for lunch.

"Flights to Gothenburg are a nightmare" Ian replied dismissively.

I was hurt. I had desperately wanted to be invited along to help crew on Ian's new yacht, which he was soon collecting from the shipyard where she had been built. Ollie and I were both experienced sailors, so I took a little bit of comfort in knowing that Ollie hadn't been invited either, but I felt slightly insulted that Ian had invited another sailing friend from outside our close-knit group, to help him safely deliver his new yacht to her home port.

"When are you taking us all out on it then?" asked Blair, a dark-haired man with thick stubble and a strong Scottish accent. Blair was unlike the rest of the group, because his upbringing had been more humble; less privileged. Blair was well paid - as we all were - but his cocaine habit was an open secret and had led to him being passed over for promotion on several occasions.

"You still owe me money from the winter racing series, last October" replied Ian. "You know I'm always looking for crew during the racing season."

Ian was by far the keenest sailor out of Ollie, him and myself, and he regularly left work early during the summer months so that he could race his yacht in the evening. Ian's plan was to live aboard his new yacht, during the summer, and only work during the winter months, which he was able to do because he was a consultant with very specific expertise.

"Anyway, changing the subject, when's your leaving do, Rich?" I asked.

Rich had decided to quit investment banking and study for an MBA. He had ambitions to be a startup CEO. He was a short man with a slight build and a high-pitched voice. I struggled to picture him as a CEO, given that he was the least ambitious in our group of friends, and didn't seem to demonstrate any particular leadership qualities or entrepreneurial qualities. I wondered what they were going to teach him on his MBA which might be useful.

"Week on Friday" replied Rich.

"It's going to be HUGE" said Blair, grinning with enthusiasm.

Our group of friends and colleagues were extremely well remunerated, in our cushy investment banking jobs, and alcoholism was virtually encouraged; certainly not discouraged. The reason why we only ate in The Taste of Venice from Monday to Thursday, was because from Friday lunchtime onwards we would be drinking all day, pausing only to collect our jackets and bags from the office, before returning to the pub.

"More beers, everyone?" I asked rhetorically, as I caught the restaurant owner's eye and waved my empty bottle, indicating that we all needed a refill. "Did you hear that Stephen's thinking about quitting to become a landscape gardener?"

This was our lunchtime ritual: getting drunk and discussing our plans to quit the rat race.

 

Next chapter...

 

Not a Real Person

7 min read

This is a story about living a lie...

Bengal kitten

I've been accused by a BBC journalist as being a fake - creating a contrived story - although she did come to visit me when I was held in a secure psychiatric ward, so I wonder whether she continued to suspect my authenticity after that. A recovering alcoholic from the South-West of England, who had recently started a blog, and a mutual friend of ours who had lost a child to suicide, decided that I was a journalist. Most recently, a person who I considered a friend who had once offered to accomodate me when I was facing homelessness, but then quite suddenly retracted that offer, said that they had considered my bipolar diagnosis "doubtful" and told me that they'd "lost faith in [me] as a real person". These are just some of the examples of people who have taken an interest in my story, only to later suggest that I'm a fictional character; a figment of my own imagination.

It would be quite nice to be a fictional character. Assuming that this blog is written by a human being and not an artificially intelligent Nickbot™ then it seems logical to further hypothesise that the author lives a pleasant life free from mental illness and the mood instability of bipolar disorder. It sounds really nice to be a fiction author or journalist, who has the time to create a character for the world to read about. It sounds like a super pleasant existence, being able to write a fake blog about a fake person and to inflict fictional unpleasantnesses upon that non-existent person, instead of a real human being having to experience terrible things. It sounds a lot better to me, that there should be a "real person" out there who is having a nice time, and that all the bad times never happened at all - they were all just stories.

Unfortunately, I feel pretty real. If I pinch my skin it hurts. If I slap my face it hurts. When things are going wrong, it hurts. When things are stressful, it's very unpleasant. When things go wrong, it's awful.

I really wish I wasn't a "real person".

It seems like a lot of effort to go to, spending 4 years of your life writing 1.2 million words, to create an artificial entity - a fictional person living in a fictional world - when it must be clear that I derive no monetary reward from this endeavour. Do you think I get paid a salary to write this blog? Do you see any adverts anywhere? Do you hear me promoting products? How does the "real person" make their money and why would anybody pay money to create a fictitious "Nick Grant" character?

The most disturbing and upsetting part of accusations that I'm not "real" is that I've been hospitalised 3 times with multiple organ failure as a result of trying to end my own life. I've spent months in secure psychiatric wards. I've spent years trying different medications and suffering their side effects. I've seen so many doctors, specialty doctors, mental health nurses, psychiatrists, social workers and various support workers who are part of community mental health teams and crisis teams. I nearly died a whole bunch of times... like, serious not messing around, major medical emergency, miracle I'm still alive kind of nearly died.

Am I supposed to be sorry that at the moment my job is going well, which has earned me a lot of money, such that I've been able to get a lovely big house, furnish it, get a gorgeous bengal kitten and meet a beautiful girlfriend? Am I supposed to be apologetic about that? Am I not supposed to have any of that?

Bipolar disorder has been destructive and destabilising and has caused me to have to start my life from scratch. Bipolar disorder has caused me years and years of dysfunctional behaviour, which stopped me from having a happy life and enjoying health, wealth and prosperity. Am I supposed to stay stuck eternally in that perpetual state of mood instability, which was so extreme that my life was ruined?

If I knew what the 'cure' was for bipolar, I'd gladly tell you what it is, but as I've written before, I don't think I'm cured at all. A lot of hard work goes into managing my mental health condition without medication. In fact, choosing to be unmedicated is one of very many difficult decisions I've made, along with choosing to work, when I would much prefer to abandon all responsibility and assume that there's a magic pill which will 'cure' me enough for me to be able to sit around watching TV collecting my government handouts.

I have episodes where I appear to be very functional. Am I supposed to be sorry about that? These episodes where I'm functional don't come for free: I work very hard to keep my mood as stable as I can.

You're right: I'm no longer sleeping rough. You're right: my circumstances have improved considerably. You're right: my life looks somewhat enviable. How many times have you slept rough? How many times have you been hospitalised with multiple organ failure? How many months have you spent under lock and key on a secure psych ward? How many different strong psychiatric medications have you tried? How many doctors have you had? How much have you lost? What's the lowest you've ever got - have you ever lost literally everything and had to start your life again from scratch?

If you think that somebody who's nearly died a bunch of times and who's slept rough, destitute, has no need or want for a nice house, a gorgeous kitten and a beautiful girlfriend, then you're a complete idiot. You think I'd settle for living in a tent? You think I'd settle for a few ragged dirty clothes? You think I'd settle for one meal a day from my local soup kitchen? Do you think somehow that I should have lowered my sights and curtailed my life ambitions, because I've experienced the very worst that life has to offer? Fool.

If I had the 'cure' for bipolar disorder then I'd share it for sure. In fact, maybe there are lessons to be learned. I've exhaustively documented every single gory detail of my life in the hope that it would be read, and that it might prove interesting and perhaps even useful to the general public. You're welcome.

As for those of you who think I should be sleeping on a piece of cardboard in a shop doorway, begging, because that seems more "real" then I'm sorry to disappoint you, but I like my life better, even if you think you have the right to tell me that I should be deliberately choosing to deprive myself of nice things. I like my nice house, I like my gorgeous kitten and I like my beautiful girlfriend, even if those things don't fit with the narrative which you invented. There's 4 years of my life and 1.2 million words if you want to go digging to find some of the really awful times from my past.

I continue, as ever, to write with unflinching candid honesty about the reality of my day-to-day existence.

 

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Modern Art

8 min read

This is a story about creativity...

Crack

Those who are blessed with independent wealth - trust-fund kids - may groan at my unoriginal and clichéd ideas. Those who have been lucky enough to attend public or private school (confusingly similar things in the UK) have been educated to be discerning snobs who act as a kind of judicial panel, deciding collectively what is to be mocked and derided as worthless, because it has clearly originated from the lower echelons of society.

We may study a piece of text and detect traces of vocabulary, style and grammar use, which indicates the author did not have the benefit of an expensive education, and as such we decide that their words are meaningless. We presume that the author holds detestable values and baseless immature views which have not been properly forged in the crucible of a fine university's debating society. We discern a certain lack of intellect from any impression we form of a person of being from a more humble background than our own. We prefer to only read works by those who are posh and impeccably well-presented in their homogenised manner of written communication.

We can quickly tell if somebody does a lot of writing, or if their writing style is a clumsy attempt to put their spoken words down onto paper.

Who has enjoyed the privilege of being able to read a very great deal, write an enormous amount, and have somebody paid to pore over their words? English is part of the mandatory school education of every child in the UK, yet as a nation we manage to produce many millions of people who don't know the difference between homophones such as "your" and "you're", which the public and private schools would not tolerate.

While an expensive education might give every child who attends those fee-paying schools a posh accent, an extended vocabulary and better grammar, it does not assure an academic future. Many children will prefer art to the prescriptive subjects, where there are right and wrong answers.

The position of power, gifted by privilege, is to decide what the "wrong" answers are in an area where there is no such thing as a "right" answer. With no more qualification than a posh accent and some snobbery, one can embark upon a career as an art critic, quite unwittingly.

Art exists in late capitalism as another rich man's hobby, like yacht sailing, horse riding, game shooting, vintage motor car racing and skiing. While some of the hoi polloi might have adopted those leisure pursuits in imitation of the wealthiest segment of society, a number of mechanisms exist to ensure that the poor man's version is inferior in every way, and not to be mistaken for things which are reserved for the wealthiest families. As such, the act of patronage is contained within that small group of individuals who speak in the manner of their patrons.

Who can really afford to write or paint for long enough to master the craft, without making creative sacrifices in order to be commercially successful? How many brilliant artists have been forced to become draughtsmen or take dismal tasteless commissions from gauche clients? We might love our favourite comics and assume that the artists are living happy, authentic lives which are true to their beliefs, but those who have seen it as a purely artistic endeavour find unhappy outcomes if they ever need to monetise their talents.

I can afford to give away my words for free because I have another source of income, but it means that my writing will never be anything more than an open journal - a daily diary which is publicly accessible. I don't have the time and energy to plan, execute and promote a piece of serious art, and I am forced to sell the most productive years of my life in order to pay rent and bills. I like to think that I am developing my craft, but the skillset for creative writing is quite different from the stream-of-consciousness which I produce.

Innumerable photographers have captured an image of themselves every day for considerable lengths of time, and countless more writers have kept daily journals. What I do is neither imaginative nor original. It would be easy to say that my writing is not art, or it is bad art.

It angers me that I should be denied the opportunity to be an artist. It angers me that my considerable creative talents and boundless energy for artistic projects, is thwarted by economic factors. I need to pay rent and bills, so I must sell my labour, but if I were to attempt to combine my job with my desire to create art, then I would be creating products not art.

What is art?

For me, I want to turn an exceptional period of my life - addiction and near-death - into a piece of art. My experiences have been so extreme that few people who've shared similar experiences have survived with their sanity intact and enough of a grasp of the English language to express themselves clearly on a piece of paper. Many people are lost to religion and other capitulations of the mind, or simply embroiled in family life, such that the difficult task of creating a piece of art which conveys some of the suffering endured, is rarely completed.

We might assume that a particularly rousing motivational speech or an incredible painting resulted from some God-given talents, but that's complete hogwash. We are a product of the surrounding environment and things that has driven us to repeat behaviours until they are innate. Anybody who says "I can't draw" has not practiced enough. When we look more closely at child prodigies, we see that their pushy parents are the reason why that child practiced a skill enough to become talented. There are no gifts - everything must be paid for.

My own so-called "gift" is a perseverance for tapping on keys in such a way which is mandated to be harmonious. A piano will happily play incorrect chords but if you press the wrong computer keys you will simply be told "command not found" or simply "error".

While I know that my writing doesn't get tested with the rigorous logic of boolean algebra, I feel confident that I can master writing as a lucrative craft, through practice and repetition, in exactly the same way that I taught myself how to program a computer as a child. I am certain that the skill of creating hundreds of thousands of lines of programming code which assemble together to make a functioning piece of complex computer software, is transferrable to the task of writing a few tens of thousands of words which produce a coherent story.

Few would disagree that music is an artform, but music is a piece of code executed on a machine - whether it's the notation on a piece of sheet music, or the laser-etched indentations on a compact disc, the creativity of the artist is coded and played through an instrument which adheres to strict rules. A grand piano only has 88 keys, while my keyboard has more than a hundred.

It's true that we've entered an era where almost anybody can call themselves a photographer or a writer, given the ubiquity of smartphones and the ease-of-use of apps which allow us to publish our photos and our words.

I offer up the photo at the beginning of this essay and these very words because I find both aesthetically pleasing and to have deep and profound meaning, beyond what you see at face value. In my text I offer up a glimpse of my inner turmoil, but I can never fully capture the full extent of every thought that races through my mind. My photo captures a moment that has immense meaning for me, but the viewer could never possibly know or guess correctly what that meaning is, which makes it a piece of art because it could only have been created by me, the artist.

"What even is it? I could take a photograph like that" I hear you say.

Yes, you could take a similar photograph, but it would have none of the meaning behind it, so therefore it would not be art.

"What are you even rambling about? I could write down my thoughts like you" I hear you say.

Yes, you could write down your thoughts, but they'd be quite different from mine and you wouldn't have the same motivations, so therefore it would just be yet another blog post from yet another blogger.

How can I claim to be creating art? In truth, I don't. I worry a lot that I'm wasting my time and creating a lot of meaningless noise. I worry that my creative energies are squandered on a pointless folly. However, this is still an impressive monument, whichever way you look at it. How many people have managed to write and publish more than a million words in a single document, with a consistent methodical approach, with regularity and with something interesting to say? How many people have catalogued their thoughts so thoroughly?

Not many.

 

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Misuse of Drugs

21 min read

This is a story about fit for purpose...

Prescription medications

Here are a range of prescription medications. Three of them are illegal to possess without a prescription under the Misuse of Drugs Act, because they are scheduled as "class B" and "class C", respectively carrying a 5 year prison sentence, a 2 year prison sentence and an unlimited fine.

So, 3/5ths of the medicines pictured here could see me locked up for somewhere between 2 and 5 years, if I didn't have a prescription.

The medication at the top of the picture is lamotrigine, which treats bipolar depression, as well as epilepsy. It has no abuse potential, but it does carry a high risk of causing a fatal skin rash.

The medication in the middle of the picture is bupropion, which treats addiction to nicotine. It has no abuse potential, but it also carries a high risk of causing seizures, which might be fatal.

The medication in the bottom-left of the picture is pregabalin, which treats neuropathic pain. It is addictive and can be abused. Pregabalin is a "class C" controlled substance, and anybody caught in possession without a prescription, will receive 2 years imprisonment and an unlimited fine.

The medication in the top-right of the picture is methlyphenidate, more commonly known as Ritalin®, which treats Attention-Deficit-Hyperactivity Disorder (ADHD) and Attention-Deficit Disorder (ADD). It is addictive and can be abused. Methlyphenidate is a "class B" controlled substance, and anybody caught in possession without a prescription will be imprisoned for 5 years and receive an unlimited fine.

The medication in the bottom-right of the picture is zopiclone, which treats insomnia and other sleep disorders. It is addictive and can be abused. Zopiclone is a "class C" controlled substance, and anybody caught in possession without a prescription, will receive 2 years imprisonment and an unlimited fine.

So, if I didn't have a prescription for all the medications on this table, I could be facing 9 years in prison and an unlimited fine, should the judge decide that my sentences should run consecutively, not concurrently, due to the gravity of my crime.

Yet, millions of UK citizens receive the medicinal benefits of pregabalin, methylphenidate and zopiclone, and the quality of their lives is greatly improved. These tablets were developed as medicines by pharmaceutical companies, to treat medical problems. Substantial empirical evidence was gathered in many controlled trials, to prove that these medicines were safe and effective at treating the medical problems they have been licensed for.

Indeed, these medicines have unexpected benefits beyond the purpose they were licensed for. Lamotrigine improves sleep quality. Bupropion is a fast-acting non-drowsy antidepressant, which also increase libido and enjoyment of sex. Pregabalin reduces anxiety and aids sleep. Methylphenidate improves concentration, allowing students to study harder and for longer periods. Zopiclone can prophylactically prevent psychosis and mania, by preventing sleep deprivation.

It is very hard to argue that the Misuse of Drugs Act and the Psychoactive Substances Act are successful laws, because the evidence shows that the use of mind-altering substances remains entirely unaltered by legislation which seeks to discourage that behaviour, and harshly penalises those who break the law.

If I approached my GP and asked for zopiclone to help me sleep, methylphenidate to help me concentrate at work, pregabalin (or any benzodiazepine) to treat my anxiety and zopiclone to treat my depression, they would flatly refuse all my requests.

My GP would tell me that zopiclone is too addictive, despite my insomnia ruining my life. My GP would tell me that methyphenidate is too addictive, despite my inability to concentrate impairing my ability to be productive at work. My GP would tell me that pregabalin is not licensed to treat anxiety, and it's too addictive, despite my poor quality of life due to anxiety. My GP would tell me that benzodiazepines are too addictive, despite my life-ruining anxiety. My GP would tell me that bupropion is not licensed to treat depression.

Instead, I would be offered sertraline, which would allegedly treat my depression and reduce my anxiety. Sertraline is very slow to take effect and it has an emotionally-blunting effect, as well as affecting sex drive and ability to orgasm. Sertraline is not an effective treatment for anxiety. Sertraline is not an effective sleep aid. Anybody who has ever tried to quit sertraline will tell you that it is very addictive and the withdrawal side effects are intolerable.

In short, doctors would offer me nothing.

In short, doctors would tell me to go away, even though their medicine cabinets are stuffed full of medicines which have been extensively proven to treat the ailments which ruin my quality of life. The medications exist, but I would be denied a prescription to access those medications.

This much like a man who is dying from a bacterial infection being told that he's not allowed any penicillin, because a small number of people have a penicillin allergy.

Then, there are medications such as diacetylmorphine and ketamine, which are considered essential medicines. Diacetylmorphine, more commonly known as heroin, is scheduled as "class A" which carries a 7 year prison term and an unlimited fine, if possessed without a prescription.

How can we have a Misuse of Drugs Act which puts diacetylmorphine - a medicine routinely prescribed - into the same category as crack cocaine. Crack cocaine is fiendishly addictive and has zero medicinal use. Crack cocaine is so addictive, that it might even be considered to be "instantly addictive" and the vast majority of its users commit acquisitive crimes - muggings, thefts, burglaries - to raise money to pay for their drug addiction. Addiction is a medical condition, not a crime.

How can we have a Misuse of Drugs Act which puts mushrooms into the same category as crack cocaine? In fact the law states that it's magic mushrooms which are a "class A" controlled substance, which implies that the government believes in magic. Is that not utterly terrifying? Is it not utterly terrifying that our lawmakers are so mentally impaired that they would make specific reference in law to a certain type of mushroom which is "magic". Like, are you for real? We actually have laws criminalising magic, in the 21st century.

What would be a fitting punishment for anybody possessing a "magic" mushroom? Perhaps they should be made to climb a beanstalk grown from "magic" beans. Perhaps they should be lashed to a dunking seat and immersed underwater until they drown. Perhaps they should be burnt at the stake. These are the punishments that are most ususal for involvement in "magic".

We also know that behaviours such as sex and gambling can be addictive, but nobody imagines that gambling addicts inject decks of playing cards into their veins. In fact, gambling is widely permitted, advertised and promoted throughout society, despite its addiction potential. We are allowed to have sex, even though there is a risk of contracting sexually-transmitted diseases, and there is addiction potential.

Terrifyingly, the government has now passed an Act of Parliament which criminalises:

Things that cause hallucinations, drowsiness or changes in alertness, perception of time and space, mood or empathy with others

Obviously, eating a big meal might cause you to feel drowsy. Being tired will make you drowsy and less alert. Being tired will affect your mood and make you more 'snappy' with others. It seems pretty obvious that children are a thing that causes drowsiness, changes in alertness, mood and empathy with others. Many mothers get post-natal depression (mood change) and many parents feel a great deal of empathy towards their children. Is the production of children going to carry the 7 year prison sentence, as the law states?

The law helpfully tells us that:

Food [doesn't] count as psychoactive substances.

But, hang on a second... aren't mushrooms food? If I'm a mushroom producer or supplier, am I exempt from the 7 year jail sentence?

Let us imagine that I cross-breed a "magic" mushroom with a regular mushroom, not thought of as "magic" by government lawmakers, I must surely be able to produce a non-magic mushroom, which I can supply as food, even though it might cause hallucinations, changes in perception of time and space and mood. Clearly if I used gene editing, I could produce a mushroom that was not "magic" at all - no witchcraft or wizardry necessary - and this could be bought and sold in the supermarkets as food.

Fundamentally, the Misuse of Drugs Act and the Psychoactive Substances Act are flawed pieces of legislation, which are not protecting citizens of the United Kingdom, reducing crime, reducing antisocial behaviour, saving lives or reducing the burden on public services. In fact, it is categorically clear that the UK's approach to mind-altering substances is a gigantic waste of money, which is also ruining countless lives, by criminalising people with medical conditions.

The fact that we have the word "magic" in our statute books, criminalising mushrooms that are alleged to have "magical" properties, in the 21st century, is quite absurdly ridiculous. The fact that we have put "magic" mushrooms, diacetylmorpine and crack cocaine into the same "class A" schedule, carrying the harshest punishments. Diacetylmorhine is an essential medicine, administed every day by up to 130,000 doctors and countless nurses. Picking "magic" mushrooms to share with my friends is punishable by life imprisonment.

I can understand that crack cocaine is an instantly addictive drug that drives most of its users to commit a very great deal of crime, because they are suffering from an illness. Therefore those who supply crack cocaine are committing a terrible crime, because crack cocaine exists for no other purpose than its abuse, and it's abuse is so devastating that it ruins the life of the sick person and creates very many victims of crime. I can understand why supply of crack cocaine is punishable by life imprisonment.

I cannot understand that "magic" mushrooms, which are not addictive, and its users commit no antisocial nuisance nor cause any burden on the state, and are an incredibly safe thing to eat with no fatalities attributed to their consumption, are seen as the same as crack cocaine in the eyes of the law. Those who supply magic mushrooms are no more guilty than a person who obtains a crate of beer, with which to share with their friends. 

The antisocial behaviour of people intoxicated by alcohol, the addictiveness of alcohol and its adverse health effects, makes suppliers and producers of alcohol culpable for a very serious crime, which deserves harsh punishment, if we follow the logic applied to other mind-altering substances.

To sell packs of cigarettes is possession with intent to supply an addictive harmful substance. The health damage caused by cigarette smoking and the antisocial nature of it, because of the harm caused to passive smokers by second-hand smoke, as well as the unpleasant smell of cigarette smoke, which also harms items of clothing and other property. Cigarette smoking places considerable burden on the state, who must invest significant sums of money into smoking cessation treatments, smoking prevention programs and treat the many smoking-related diseases. Smoking-related diseases shorten lives, cause early death and reduce the productive capacity of those who suffer from cigarette addiction. Cigarettes have a high economic cost to society. Suppliers and producers of cigarettes, cigars and loose tobacco are culpable for a very serious crime, which deserves harsh punishment.

When the esteemed neuropsychopharmacologist Professor David Nutt was adviser to the government on its drug policy, he suggested - based on overwhelming empirical evidence - reclassifying all drugs based upon the health risks they posed, the harms they cause to society, and the economic cost of their use and abuse. He was forced to resign. Drugs are a politcal pawn and the government has no interest in the wellbeing of its citizens, with respect to drug use.

We only need to look at Portugal, which took a scientific data-driven approach to its drug policy and has achieved:

  • 60% increase in uptake of addiction treatment programs
  • 90% drop in the rate of drug-injection related HIV infection
  • 45% decrease in the murder rate
  • Drug-related deaths dropped to 3 per million (in comparison to the EU average of 17.3 per million)

The most [un]surprising thing of all is that drug use remained the same. People like to take drugs. LOTS of people like to take drugs. Alterations to the law do not affect people's desire to take drugs. Drug laws are not a disincentive to drug taking, because drug taking has been a feature of human life since pre-historic times. People want to take drugs, hence why alcohol, cigarette and coffee consumption is ubiquitous and legal.

2.5 million Xanax tablets were purchased on the black market in the UK. At least half a million people in the UK are using MDMA (ecstasy) on regularly, and on a single weekend, a million tablets could be consumed. Almost one million UK citizens are using powder cocaine, and most of them are affluent professionals.

What we can learn from Portugal is that punitive drug laws have no affect on citizen's behaviour. The criminalisation and harsh punishments are not a disincentive to illicit drug purchase and consumption.

Legislation to criminalise the sale of alcohol - prohibition - was tried in the USA from 1920 to 1933, and it was an abysmal failure. Industrial alcohol was deliberately made extremely poisonous in 1927, causing innumerable deaths and making people blind. But people drank it anyway, getting literally "blind drunk". Moonshine was responsible for vast numbers of speakeasy customers being poisoned: 33 people in Manhattan, NY died in just three days, for example.

We can see from all historical evidence, worldwide, that every culture has used mind-altering substances extensively. Coca leaf chewing is common in South America. Tobacco smoking and chewing originated in North America. Betel nuts and areca leaves are chewed all over Asia. Khat leaves are chewed in Africa. Tea leaves a brewed in hot water in China and India. Coffee beans are roasted, ground and brewed in South America. Cannabis has been drunk as Bhang in India for more than 3,000 years, and the Egyptians were smoking cannabis 3,600 years ago. Opium was being consumed 5,400 years ago, by the Mesopotamians. Alcohol wins the top prize though, because it's been brewed for at least 13,000 years - since the goddam stone age.

The invention of distillation apparatus is a relatively recent phenomenon, but we should accept that human desire for intoxicating alcoholic beverages has been unwavering since the discovery of the fermentation process, and the invention of brewing methods. The body of archeological evidence overwhelmingly proves that beer and wine were present in human lives, continuously. Mass production of cheap distilled spirits pose new challenges, but we must remember that society does not adapt to scientific and technological advances with sufficient speed to avoid difficult periods of re-adjustment.

The isolation of psychoactive molecules responsible for psychoactive effects, and the laboratory synthesis of those naturally occurring compounds, has resulted in highly refined and pure chemicals. The investment in high-volume chemical production for industrial and agricultural uses, makes the precursor ingredients for synthesised compounds extremely cheap, and therefore, drug supply can inexpensively meet drug demand, through mass-production. The very poorest people in the world are often able to afford to buy very potent and pure drugs.

In 1804 Friedrich Sertürner isolated the morphine molecule from opium. In 1804 the world's population was 1 billion and the average global income was $3 a day (adjusted for inflation). Today, 3.4 billion people live on approximately $3 a day, which means that there are 340% more people living in poverty on an increasingly overcrowded planet.

We know from animal studies that stress and overcrowding affects behaviour adversely - "the behavioural sink" - and experiments have produced compelling evidence. Animals whose living conditions are intolerable, will prefer water laced with alcohol, cocaine, heroin and other addictive drugs. When the experiment is repeated with better living conditions, such as having other animals to socialise and have sex with, more comfortable bedding, exercise wheels and toys to interact with, then the rats prefer to drink the water without any mind-altering substances.

Findings from experiments with overcrowding in rat colonies found the following disturbing results:

Many female rats were unable to carry pregnancy to full term or to survive delivery of their litters if they did. An even greater number, after successfully giving birth, fell short in their maternal functions. Among the males the behavior disturbances ranged from sexual deviation to cannibalism and from frenetic overactivity to a pathological withdrawal from which individuals would emerge to eat, drink and move about only when other members of the community were asleep.

The animals would crowd together in greatest number in one of the four interconnecting pens in which the colony was maintained. As many as 60 of the 80 rats in each experimental population would assemble in one pen during periods of feeding. Individual rats would rarely eat except in the company of other rats. As a result extreme population densities developed in the pen adopted for eating, leaving the others with sparse populations.

Infant mortality ran as high as 96 percent among the most disoriented groups in the population.

Translated into human terms, we see that the majority of the world's population live in overcrowded cities. We see neglected and abused children taken into foster care. We see high infant mortality rates in the developing world. We see sexual deviancy. We see widespread manic-depressive symptoms and other psychiatric illnesses. We see men living lives of quiet, desperate isolation, withdrawn from the world and spending most of their time in their bedrooms, emerging only to grab a microwave pizza or use the toilet.

One must remember that in the rat overcrowding experiments, there were no drugs or alcohol. The behaviour of the rats was a spontaneous response to their living conditions.

Thus, we must conclude that the problems we see in society are not caused by drugs and alcohol, but the abuse of drugs and alcohol is caused by intolerable living conditions.

In the west, the social problems we have are due to industrialisation and mass-production, which required high-density housing in close proximity to the factories, mills, textile manufacturers and steel works. The social problems were compounded by the service industries building tall office blocks in the business districts of major metropolitan areas. Property developers built high-rise housing blocks in cities which were already densely populated.

Manhatten had a population of 60,000 people in 1800. Today it has a population of 1.7 million people who each earn $378,000 per annum, on average.

Hong Kong Island had a population of about 3,000 people in 1842. Today it has 1.3 million people and a 2-bedroom city centre apartment would cost about $2 million to buy.

Those are the affluent places.

In the developing world, the social problems are due to the purchasing power of "soft" currencies. Only the US dollar, Japanese yen, European euro, Swiss franc, Canadian dollar, Australian dollar, New Zealand dollar and British pound, are considered to be "hard" currencies.

Developing world nations need to build factories, mills, mines, railways, ports, power stations, which can only be paid for in hard currency, along with hospital and a university, fully equipped, staffed. The university needs a library full of books. Almost everthing has to be imported, and the suppliers want to be paid in hard currency.

The developing world nations take out loans from the World Bank, issued in hard currency to buy what they need. The crop harvest, manufactured products and natural resources are exported to buyers who pay with soft currency. Labour is also sold using soft currency .

$1 can purchase 8.3 minutes of labour in the USA. $1 can purchase 36 hours of labour in Ethiopia. The poorest and hungriest Ethiopians get paid 10 Ethiopian birr for 12 hours labour. A day's wage is the same as the cost of the day's food.

$1 is exchanged for 30 Ethiopian birr. The dollar seller can pay 3 Ethiopians their daily wage, after they complete 12 hours labour. The Ethiopian birr seller can purchase $1 of specialist goods, specialist services, or hire a highly-qualified and experienced expert, from the richest nations. $1 could purchase 1 minute of time from a prospecting geologist to survey Ethiopia's stone, ores, minerals, metals and gemstones. When the data is gathered, Ethiopia can then calculate the capital expenditure to purchase land, build processing facilities, buy equipment, and build supply infrastructure. Then they consider the cost the cost of paying for supply chain services. They calculate how soon they can be ready to start exporting. They calculate a sustainable export capacity and work out the anticipated lead time from initial purchase order, legally binding supply contract, agreed.  The operating costs are deducted from the expected income from the exports. It's pretty easy maths:

(Capital expenditure + operational costs + transport costs) - (average raw material market price x quantity of raw material available)

This equation gives three numbers,

1. How much money do we need spend before we see a single dollar

2. How much money will be earned until all the natural resource is gone

3. Proft (if any)

Wheat to make flour with is $0.46 in the US commodities exchange. Coffee beans are $0.94/kg. Orange juice is $1.17/litre. Cotton is $0.71/kg. Raw sugar from sugar cane has by far the lowest market price, of $0.13/kg.

Processing makes little difference: Alcohol made from cane sugar trades at $1.34/litre and refined white sugar trades at $348.

So we can forget growing crops. The US and EU subsidise their farmers by purchasing their harvest, then dumping it in huge silos, or otherwise paying farmers a subsidy for not growing their crop, which is greater than the amount the farmer could expect to earn by selling the harvest. That's economic warfare by the wealthy west on the impoverished developing world nations. The game is rigged.

Then stone, ores, metal, precious metal and gemstones are worth considering.

Iron ore trades at $89/kg. If you invested in heavy machinery and a processing plant: Copper trades at £3/lb, Aluminium at $1/lb. Nickel at $6/lb and Zinc is at $1/kg.

This is because $1 can purchase at least 1kg of flour, which will feed a mother and child for a day. The hungriest poorest people will exchange 12 hours labour . Therefore $1 buys 87 times more labour in the poorest parts of the developing world, than it does in the USA. So $1 is offered in exchange for enough local currency to buy 1kg of flour. It costs 30 Ethiopian birr to buy 1kg of flour,

The densest population on the planet is Tondo - a district in Manila - where you are never more than 2 metres away from another person. I'm 1.83 metres tall, so if I lay down to sleep, I would have 17 centimetres between me and the nearest person That's disturbing.

The developing world population has increased dramatically in the last 200 years, which is a lot of hungry mouths to feed, in countries which might not have clean drinking water, medicine, sanitation systems, and people live with a lot of hunger. See below:

World pop growth

Can you see the trend? Poor nations are getting more populated, which drives down the value of their labour drives down the value of the crops they produce, and drives down the price of the the other commodities they can produce. In a system of global free-market capitalism: A hungry person will work harder for longer, than a well-fed one. A person who lives in a country with high infant mortality rates will have more children that a person with great well-equipped hospitals and doctors, in every city.

It's ludicrous to be criminalising things which would never exist if we paid more for our edible crops. For example, 1kg of opium resin is worth $2,506 if you buy it wholesale directly from the farmers in Afghanistan. That heroin has a market value of $6,600 in the USA.

The drug problem is the inevitable conclusion of exploiting the developing world's labour, crops and raw materials.

I should really have written this as a series of blog posts, but I might is this in a non-fiction book I plan to write if I can convince somebody I like to co-author it with me. Or at least get a literary agent to find me a publisher and give me an editor.

Side note: I started writing this on Saturday and it's now Monday (well, Tuesday, technically) and I've hardly slept. I must publish this now, and proof-read and edit tomorrow.

I hope you find these 4,000 words entertaining.

 

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It Doesn't Have To Be So Complicated

5 min read

This is a story about putting pressure on yourself...

CPU die

When we see a completed masterpiece - a great book, a magnificent painting, or even an app or a website - then we can be fooled into thinking that its creators must have envisaged the end result from the very beginning, and worked methodically until the work was done and ready to be unveiled to the public.

What we don't see are the unpublished drafts and the unedited rough manuscripts. We never see the layers of paint beneath the top layer, where the painter's brushstroke might have been misplaced. We quickly forget how ugly and buggy the early versions of software are, and how few features they had.

We also forget that complexity is built upon complexity. The author depends upon a typewriter, paper-making and book-binding, along with typesetting, ink making and a thousand other innovations, which allow their words to be neatly condensed into the final product. The painter depends upon the many pigments which had to be discovered, as well as the paint-maker who will create the oils, acrylics and watercolour paints, and the canvas maker who will create the surface onto which the masterpiece will be painted, layer by layer. The software engineer depends upon the CPU, memory chips, hard-disk drives, motherboards, a screen, mouse and keyboard, plus an operating system and myriad other pieces of software, which enable them to code their apps and websites.

We only see the finished versions, and we do not see the vast complexity which is hidden behind. We do not see the thousands of years of discovery, innovation, invention and craftsmanship, which have evolved and progressed with iterative improvements, until the day when even a lowly common man or woman, with little money, can create something which would have been considered a rich man's hobby, not very long ago.

I desperately want to demonstrate to the world that I have a mind that can encompass enough of science, technology, engineering, mathematics as well as much more practical things such as paper-making, book-binding, typesetting, and the inescapable physical world, where food, water and energy cannot be delivered via your broadband internet connection. I can build shelter. I can fix a vehicle. I have knowledge that extends well outside the narrow confines of STEM. I want the world to know that, because I'm insecure and I feel like I was briefly written off and abandoned - assumed to be a piece of expendable human garbage.

I'm not going to push myself to write so much today. I need to tell myself that it's OK to write a little less on days when I'm either too sick, too tired, or unable to make enough time to write something that I think is worth publishing.

I've decided to allow myself to publish shorter pieces of writing, when circumstances demand it. Not everything I publish needs to be an essay.

I put immense pressure on myself to produce things which are impressive, or at least somehow 'magical' creations. Many people have now learned how to create a website using tools which have simplified the process, making it as easy as sending an email, but the way it works is still mostly 'magic' to them. We don't need to know how to fly a plane in order to be a passenger, but we should still appreciate that the pilot spent a lot of hours learning their profession, and so we shouldn't underestimate the skill involved in every safe landing, which we often take for granted.

Laid bare on these pages, dating back to September 2015, we can see the development of my writing style and the discovery of the topics I'm passionate about. We see how I refined my writing process and how my thinking has developed. I could have done this process by writing private journals and unfinished novels, but instead I offer up my stream-of-consciousness as an "open source" piece of software, complete with all the ugly early versions which were full of bugs and didn't have many features.

It's hard to find the time and the energy to write every day, but it's a lot easier if I allow myself the freedom to simply unload a few thoughts and feelings onto the page, without worrying too much about whether it meets some arbitrary quality standard, which I've imposed upon myself voluntarily.

It was very kind of friends who've stuck with me through periods when I stopped writing, to greet my return with enthusiasm and remarks which greatly encourage me that my writing is being well received by people who I care dearly about.

It needn't particularly complicate my day, or add unnecessary pressure, to get in front of a keyboard and bash out a few words... even if it's the merest dab of paint onto a huge canvas, it does at least cumulatively contribute to the finished artwork. I would hate for my readers to think that I've abandoned blogging.

Thanks for reading. It means so much.

 

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Workload

4 min read

This is a story about métier...

I'm on a bus

It never rains, it pours. I had envisaged being able to quietly beaver away at my novel during my working day, in order to make the torturous hours in the office pass more easily, but fate has conspired to deliver me a delightful challenge in my day job at exactly the same time as I embarked upon the ridiculous task of holding down full-time employment, writing a daily blog and completing a short novel within 30 days.

I love it.

I have heaped pressure upon myself, like I always do, but not as much as I did last year. I was unemployed and homeless last year, so I was desperate for something to cling onto for my fragile self-esteem, and I had pinned a lot of hopes on creating a passable novel as a way of feeling as if I was using my time productively. This year I've managed to avoid over-hyping my writing abilities and over-estimating my potential as a fiction author. However, I still secretly hope that I'll be able to bash out another finished novel.

I had quite an exhausting day at work today. I'm a little burnt-out.

I'm in the enviable position of having something to do at work, which is right up my street.

The reason why you'd hire me is not because I'm a steady dependable guy who can be relied upon to churn out an endless stream of predictable results, but because I'm the sort of freaky weirdo who'll keep on plugging away at a difficult problem which has been declared "too hard" to fix by everybody else. There'll be no shortage of people queuing up to create something brand new on a blank canvas, but almost none of them will want to stick around to complete the job. There's no shortage of people who'll say "we should throw everything away and start over". However, the devil is in the detail and finishing the job is the hardest thing. Hardly anybody will stick around to deal with the unglamorous task of tying up all the loose ends and dealing with all the crap that got brushed under the carpet.

I'm already feeling overwhelmed with the workload of having a full-time job, commuting, living out of a suitcase, writing my blog, dating, staying on top of social media and writing a novel. It's day two and I'm falling to bits.

My life is pretty weird. Family and friends don't really figure in my daily life. My life had become completely dysfunctional for more years than I care to remember, so I exhibit none of the patterns of behaviour that normal people do. I don't have many face-to-face interactions. I hardly ever speak on the phone. I don't socialise. I don't spend my time in good company.

I spend my life in front of a screen.

I thought that I would be re-invigorated after a holiday. I thought that I would feel energised after reaching the point where I'm finally owed as much money as I owe: break-even. I'm worth literally nothing, which is a huge relief after having spent so long being more valuable dead than alive, thanks to a life insurance policy which would have paid out enough money to settle my debts and leave a decent chunk of surplus cash for dispersal.

I'm definitely a writer, but I'm pulled between three competing demands: to write concise and efficient code for my employers, to write my daily blog for my readers and to write another novel, to satisfy my deep yearning to scratch my creative itch.

I was writing a chapter of my novel today and I realised that I could express the whole thing in 10,000 words or fewer, which might be a little too condensed and concise for the average reader to enjoy. I know it's arrogant to say this, but I thought about Buckminster Fuller's Operating Manual for Spaceship Earth and wondered what the hell I'm doing writing a work of fiction, when my purpose in life is clearly to write instructions for idiots (i.e. computers in the most part).

Often, I think that if I start writing a manifesto or a prescriptive guide on how to live life, I'm heading down the rabbit-hole of madness. Too many psychopaths have written manifestos. I don't wanna go there.

I'm going to deliberately cut myself short here, because I'm enjoying the rare privilege of perceiving the value of the finite commodity which is time itself. For once, I'm not bored at all.

 

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I Work Hard: The Proof

7 min read

This is a story about brainwork...

Graphite piano

In 2008 I became suicidally depressed. I'd been part of the project which had been at the centre of the global financial crisis: namely the trading of quadrillions of dollars worth of credit default swaps (CDS) which had grown in notional book value to be manyfold greater than the aggregate value of all the tangible things, such as precious metals, rare gemstones, property, factories, oil, gas, coffee, coins, banknotes and anything else which you could point at and say "that's worth something".

The world had lost its mind.

I knew it was coming of course. I had bought gold in 2005. I had negotiated a great mortgage in 2007 knowing there was a credit crunch on the horizon. In some ways I had tangible proof that I had been doing something valuable because I owned property, cars, boats and other things, as well as considerable amounts of liquid assets. In short: I was rich.

I got rich from data and software. I got rich off the back of investment banking and derivatives contracts. I got rich off a whole lot of nothing.

In 2008 it really felt like I'd presided over the most awful crime ever perpetrated against humanity.

I'd worked hard and I'd done my job very effectively. I thought about the bigger picture and I knew - deep down - that what we were doing at JPMorgan was wrong, but I'm an engineer and I like delivering engineering solutions. If somebody asks me "can you do this?" then I want to be the problem-solving can-do guy who comes up with the solution and delivers a working system. Often times I stop and take a step back, and think about the context of what I'm doing - I consider the ethics - but that's not really my job. I just design and build software systems.

The whole "I just work here" or "I was just following orders" thing is how the Nazis managed to kill 6 million jews, so I'm not going to hide behind that flimsy defence.

I know what I did was wrong.

So, I decided to completely ditch investment banking. I decided to do something that was the polar opposite of investment banking. I retrained in the building trade.

Instead of working in an office, I worked in customers' houses. Instead of working to devise arcane and impenetrably complicated ways of moving imaginary wealth around the globe, I helped build houses for people to live in. Instead of working for a massive faceless global corporation, intent on destroying the worldwide economy and plunging us all into the deepest and longest recession in history, I worked for myself - I was a sole trader; a man with a van.

I discovered that what I'd always suspected was true: I work hard.

It's hard to prove that you work hard, when all your hard work is hidden away behind the scenes. You have no idea how hard it was to build all the websites and apps that you use every day. You completely take for granted all the facets of the modern world, where you can speak to your phone and express your unique special snowflake personality on social media. The geeks and the nerds are derided as autistic-spectrum weirdo scum, who are all potential paedophile predator perverts who deserved to have a miserable childhood getting bullied at school.

While we celebrate the doctors, nurses, firemen, policemen and suchlike, because their contribution to society is conspicuously obvious and easy to understand - like a game of cops & robbers - questions such as "what is the internet?" belie the hideous complexity of that innocuous 4-word question. If you're looking for a convenient Google-provided soundbite synopsis that you can parrot to other people, in the vague hope of sounding intelligent, you're doing a disservice to those geeks and nerds who you persecuted at school, who are the architects of the fourth industrial revolution.

It's very hard for me to prove to you that I've been working very hard during my 21-year full-time career. You're quite likely to accuse me of not working very hard at all, because there are people out there who do a lot more physical labour, and what they produce is a lot more tangible and more easily understood in a childlike brain.

It was immensely frustrating to me that I had no easily understood empirical evidence to prove how hard I work; to prove that I'm a busy bee.

I started to write.

I've written the equivalent of 22 novels over the course of 3 years.

Of course a lot of what I've written is manic rantings, but one should be mindful that during the course of the 3 years I've also written a lot of software, and software doesn't work if it's wrong. One missing semicolon in millions of lines of code and the whole thing will be kaput. You should consider the fact that it's a facet of my profession to write with coherence and attention to detail, because my editor has zero tolerance for mistakes: the computer can't handle errors.

It pleases me that I've produced 1.1 million words in my spare time as proof that I'm not an idle drug addict loser. It pleases me that I have a tangible asset, which vastly exceeds the length of the King James Bible.

Would you accuse an author of a bestselling series of novels, as being unproductive and not working for their living?

I say again: I've been writing in addition to my full-time day job.

It's true that sometimes I find my day job very easy and unchallenging, but there are other days when there are gremlins in the incomprehensibly huge and complex computer software systems, and those problems are very hard to diagnose and fix. Manual labour is governed by a simple and well understood set of physical laws: the energy requirements to lift and move heavy objects is quite easy to calculate. The amount of brainwork required to fix a problem with one of your beloved apps or websites - to give a facile example - which might affect millions of people, is not an easy calculation at all. If you think what I do is unimportant, you should see the public response every time Instagram stops working or Snapchat introduces a major change.

My motivation for writing this is, of course, insecurity. I struggle with feelings of inadequacy and guilt. Imposter syndrome asserts itself and I wonder what the hell I've been doing with two decades of my life, with nothing to show for it except a lot of crummy software which almost nobody is aware even exists. I would struggle to explain to either of my grandmothers what I do for a living, especially now they're dead.

I exist in a strange part of the world. I'm a 'tame' geek who can speak plain English. I don't surround myself with other technologists and I'm cursed with a bleeding-heart liberal streak and an inquiring mind, which causes me to question whether I'm part of the problem or part of the solution.

Because of my guilt, work ethic and insecurity, I feel like I have to create a very conspicuous and public display of my productivity, which can be easily understood. Here's the headline: 1.1 million words in 3 years.

I write because I'm afraid that you'll write me off as a lazy junkie waste-of-space loser who doesn't do anything productive or useful. I write because I don't see much other evidence that I ever existed or did anything notable; that I ever contributed to society.

"Use your talent and energy for good" I hear you say. Yup. That's working out really great for the oppressed workers, isn't it? I'm so glad that charity has been so successful that it's made itself completely redundant as a concept.

I write because I haven't decided what else to do, but I'm still thinking, of course. You might think that thinking is useless, but what is writing except for thinking on a page?

 

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